After the disappointing sales of the Velvet Underground's first album, The Velvet Underground & Nico, the band's relationship with Andy Warhol deteriorated. They toured throughout most of 1967. Many of their live performances featured noisy improvisations that would become key elements on White Light/White Heat.[1] The band eventually fired Warhol and parted ways with Nico;[2] and ultimately went on to record their second album with Tom Wilson credited as producer.
The album was recorded in just two days, and with a noticeably different style than The Velvet Underground & Nico. John Cale described White Light/White Heat as "a very rabid record...The first one had some gentility, some beauty. The second one was consciously anti-beauty." Sterling Morrison said, "We were all pulling in the same direction. We may have been dragging each other off a cliff, but we were all definitely going in the same direction. In the White Light/White Heat era, our lives were chaos. That's what's reflected in the record."
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